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Ian Vine, 2003
The first performance of Ian Vine's broken colour was on
the 28th October 2003 at Turner
Sims Concert Hall, Southampton, UK. This work is scored for
wind quartet and percussion.
To find out more, visit
www.ianvine
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Tansy
Davies, 2003
Following the success of our earlier commission Pinnacles
in 1998 (FMRCD128), we approached Tansy to write for our larger
ensemble. Fern was first performed at Blackheath Concert
Halls in March 2003, and recorded for an Autumn release 2003 for FMR
records (FMRCD135). For more information on Tansy Davies' work,
visit www.bmic.co.uk
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Gareth
Brady ~ Skara Brae, 2002
This commission is based on two Bulgarian folk songs, a lament and
a wild dance. We commissioned it for our March 2002 Scottish tour.
This was revised in 2003 for septet and is one of the works released
on our disc, Untold. |
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Jane
Gardner ~ Ne Sa Ma, 2002
The piece is dedicated to and inspired by the work of Israeli-American
artist, Jacques Marzan. To see more of his work click
here
The Hebrew word NE SA MA, pronounced "Ney Sha Mah", in
Cabala (Jewish mysticism) is related to the deepest layers of the
spirit. The root of the word, N-S-M stands for breathing, and is
in tangent to SA-HA-F, to inhale - of course the reverse of exhale
-together which form the eternal cycle of transformation and creation.
Quintessence gave the world première performance on March
8th 2002 The Lemon Tree, Aberdeen, Scotland followed by five subsequent
performances in Scotland. To explore or purchase this work on line
visit www.sibeliusmusic.com
To find our more about Jane Gardner's work visit www.janegardner.net
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Joe
Duddell ~ Endgame, 2001
We commissioned Joe to write this piece for us in 2001.
As the title suggests, a play on words, and as Joe mentioned to
us, perhaps a piece to end an era. It was his final commission before
taking the post as Lecturer in Composition at Exeter University.
First Performance The Dulwich Picture Gallery, London, UK September
27th 2001
This is one of the works
on the disc Untold.
Visit his webpage
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Mike
Westbrook ~ Classical Blues, 2001
This was commissioned in 2001 with the generous support of The Lady
Digby . Here Westbrook uses the contra bassoon with the bass clarinet
much like a jazz bass line.
First Performed The Summer Music Society of Dorset June 16th 2001.
Supported by the Performing
Rights Society
Visit www.westbrookjazz.co.uk |
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Philip
Cashian ~ among the bleached stars and suns, 2000 (revised 2001)
Having played and loved Cashian's earlier work for wind quintet,
Silent Steps, (Commissioned by the Haffner
wind quintet) we decided to commission a second quintet, this
time with bass flute.. The horn remains unseen throughout, (behind
the audience in our first performance), the flute stands to one
side and the reed trio remain as a strong team in the centre.

First performance 22nd July 2000 Christ Church, Harrogate for the
Harrogate International Festival, supported by Yorkshire
Arts
So see a review of this performance click here
Recorded on our disc Untold
Visit www.bmic.co.uk/newvoices
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Tansy
Davies ~ Pinnacles, 1998
This was our first ever commission. Tansy's inspiration stemmed from
her time in the Pinnacles Desert in Western Australia. The opening
begins with the wind blowing the yellow sand across the desert. The
slow movement uses the oboe melody to represent the plants growing
from the ground, the bassoon its roots, and the added colour of the
piccolo, representing raindrops descending earthward. The final movement
is jagged and chaotic, each solo line is eroded, leaving awkward sections,
reminiscent of the strange, stark shapes which are left standing in
the desert. To purchase the world premiere recording of this work
on our CD disc one, visit www.classicalrecording.com/
To listen to a sample click here: 
First Performance January 17th 1998 Droitwich Concert Club
For more information on Tansy Davies visit www.bmic.co.uk/newvoices
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